Découvrez le travail contemporain de vivian wolloh

Graduated in the career of Plastic Arts from the Superior School of Fine Arts in Paris (ESNBA).
During the student period she participates in four collective exhibitions in Bordeaux, Monte-Carlo, Cagne-sur-mer and in the International University City of Paris.  From 1989 she lives in the United States.
She exhibits her first individual at the French Alliance in Miami. In 1994 she won the “Art in Public Places” contest and became part of the Permanent Art Collection of the West Palm Beach Airport in Florida (can be seen at gate 12 of the airport). In 1993 she participated in two collective Exhibitions in Miami among others: “Reflections” With the Gary Nader gallery at Metro Dade Cultural Resource Center “Hispanic artist in South Florida.” And at the County Courthouse D&D center. In 1996 she made an individual  show in Lima with Praxis Gallery. In 1997-98 Participates in four collective exhibitions in New York: “Strong images,” “Four latin american artists” and “Beyond their intuition”, with the Praxis and Watercolors Gallery at Fox & Fowle Architects office, in New York City. In 1999 she was invited to do an individual show at the Metro Dade Cultural Resource Center Galerie in Miami Dade County. From 2001 she lives in Peru. Participate in the collective exhibition “Virgins contemporaries, ”under the curatorship of Mihaela Radulescu, at the Museum of the San Marcos University. In 2002, Gallery Wu ( Lima)  shows the individual exhibition “Ausencia Viva ” and “Estado de ensueño” in 2003 In 2007 she exhibited "Circuitos" individual show at the ICPNA, Instituto Cultural Peruano Norteamericano, under the curatorship of Miguel Zegarra. Make the Mural "Jacob's Dream" in the Sharon synagogue, Israelite Union of Peru. "Lineas de Tiempo" in 2009, under the curatorship of Carlos García Montero.
She participates in collective exhibitions in the John Harriman Gallery of the British Cultural Center and in the Pedro de Osma Museum (Lima). In 2012, she retakes “Imaginary Landscapes”, with the individual show “imaginary landscapes II,” in Vértice gallery (Lima), and becomes part of the Patiño family's art collection in Long Island, New York. Participate in PARC 2017. ( International Art contemporary) In 2019 she exhibits a Bipersonal Show :  Extraer / Contener,  at the Garcilazo de la Vega Inca Cultural Center in Lima under the curatorship of Gredna Landot and Lucia Pardo.
PARC 2019,

PROJECT DESCRIPTION

Perspectivas aereas is a project of almost two years. I have worked and continue working this series on glass tables, which give frame and height to these very fine fabrics.
There is a gestural geometry with which I paint aerial figures, or also a kind of aerial beings, since my intention is to break the stiffness of the line with aerodynamic curves.
The project consists of 20 aerodynamic pieces.  Most of them are oils on fine canvas and highlighting the same concept, I also work maps of countries and continents with black ink and colored pencils.
The layers that appear as sketches in a superposition of lines and veiled forms, speak to us of the deep, of the absence of chance and rather the presence of causality. The white sectors in the fabrics are eloquent; They are not neutral funds, on the contrary, they give meaning to the figure represented. These forms of straight and curved lines that, in some cases seem to emanate fluids, are full of senses.
We intuit a human presence that could have given rise to the structures, and for this reason, absence is evident through that emptiness that only highlights loneliness. We could be before vestiges or traces of something that disintegrates or, on the contrary, signs of what emerges. Finally, initial signs that invite us to look deep in solitude,  facing a world in which we have to face invisible threats, which not only attack the bodies, but our entire cultural and economic system, where even a rite that we have practiced since the beginning of humanity;  we have to reconstitute ourselves based on deep reflexion and a perspective look.